Saturday, July 26, 2008

Manifesto: The Mad Farmer Liberation Front

by Wendell Berry

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.


So, friends, every day do something
that won't compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.


Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.


Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion - put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?


Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn't go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.


from The Country of Marriage, copyright © 1973 by Wendell Berry

Saturday, December 15, 2007

Thoreau's Flute

from American Transcendentalism Web:

http://www.vcu.edu/engweb/transcendentalism/authors/thoreau/

"This poem was written by Louisa May Alcott, who may well have been in love with Thoreau. It appeared in the Atlantic in the summer of 1863."

We sighing said, "Our Pan is dead;
His pipe hangs mute beside the river;
Around it wistful sunbeams quiver,
But Music's airy voice is fled.
Spring came to us in guise forlorn;
The bluebird chants a requiem;
The willow-blossom waits for him;--
The Genius of the wood is gone.

Then from the flute, untouched by hands,
There came a low, harmonious breath:
For such as he there is no death;--
His life the eternal life commands;
Above man's aims his nature rose.
The wisdom of a just content
Made one small spot a continent,
And turned to poetry life's prose.

Haunting the hills, the stream, the wild,
Swallow and aster, lake and pine,
To him grew human or divine,--
Fit mates for this large-hearted child.
Such homage Nature ne'er forgets,
And yearly on the coverlid
'Neath which her darling lieth hid
Will write his name in violets.

To him no vain regrets belong
Whose soul, that finer instrument,
Gave to the world no poor lament,
But wood-notes ever sweet and strong.
O lonely friend! he still will be
A potent presence, though unseen,--
Steadfast, sagacious, and serene;
Seek not for him--he is with thee.

Where I Lived and What I Lived For

As I have suggested before on this blog, the following words changed my life:

From Walden, courtesy of the Thoreau Reader: http://thoreau.eserver.org/default.html

"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have somewhat hastily concluded that it is the chief end of man here to "glorify God and enjoy him forever."

Still we live meanly, like ants; though the fable tells us that we were long ago changed into men; like pygmies we fight with cranes; it is error upon error, and clout upon clout, and our best virtue has for its occasion a superfluous and evitable wretchedness. Our life is frittered away by detail. An honest man has hardly need to count more than his ten fingers, or in extreme cases he may add his ten toes, and lump the rest. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb-nail. In the midst of this chopping sea of civilized life, such are the clouds and storms and quicksands and thousand-and-one items to be allowed for, that a man has to live, if he would not founder and go to the bottom and not make his port at all, by dead reckoning, and he must be a great calculator indeed who succeeds. Simplify, simplify. Instead of three meals a day, if it be necessary eat but one; instead of a hundred dishes, five; and reduce other things in proportion. Our life is like a German Confederacy, made up of petty states, with its boundary forever fluctuating, so that even a German cannot tell you how it is bounded at any moment. The nation itself, with all its so-called internal improvements, which, by the way are all external and superficial, is just such an unwieldy and overgrown establishment, cluttered with furniture and tripped up by its own traps, ruined by luxury and heedless expense, by want of calculation and a worthy aim, as the million households in the land; and the only cure for it, as for them, is in a rigid economy, a stern and more than Spartan simplicity of life and elevation of purpose. It lives too fast. Men think that it is essential that the Nation have commerce, and export ice, and talk through a telegraph, and ride thirty miles an hour, without a doubt, whether they do or not; but whether we should live like baboons or like men, is a little uncertain. If we do not get out sleepers, and forge rails, and devote days and nights to the work, but go to tinkering upon our lives to improve them, who will build railroads? And if railroads are not built, how shall we get to heaven in season? But if we stay at home and mind our business, who will want railroads? We do not ride on the railroad; it rides upon us. Did you ever think what those sleepers are that underlie the railroad? Each one is a man, an Irishman, or a Yankee man. The rails are laid on them, and they are covered with sand, and the cars run smoothly over them. They are sound sleepers, I assure you. And every few years a new lot is laid down and run over; so that, if some have the pleasure of riding on a rail, others have the misfortune to be ridden upon. And when they run over a man that is walking in his sleep, a supernumerary sleeper in the wrong position, and wake him up, they suddenly stop the cars, and make a hue and cry about it, as if this were an exception. I am glad to know that it takes a gang of men for every five miles to keep the sleepers down and level in their beds as it is, for this is a sign that they may sometime get up again."

Saturday, November 17, 2007

"Where I Lived and What I Lived For" Post #2

From Walden, courtesy of The Thoreau Reader:http://thoreau.eserver.org/default.html

Why should we live with such hurry and waste of life? We are determined to be starved before we are hungry. Men say that a stitch in time saves nine, and so they take a thousand stitches today to save nine tomorrow. As for work, we haven't any of any consequence. We have the Saint Vitus' dance, and cannot possibly keep our heads still. If I should only give a few pulls at the parish bell-rope, as for a fire, that is, without setting the bell, there is hardly a man on his farm in the outskirts of Concord, notwithstanding that press of engagements which was his excuse so many times this morning, nor a boy, nor a woman, I might almost say, but would forsake all and follow that sound, not mainly to save property from the flames, but, if we will confess the truth, much more to see it burn, since burn it must, and we, be it known, did not set it on fire — or to see it put out, and have a hand in it, if that is done as handsomely; yes, even if it were the parish church itself. Hardly a man takes a half-hour's nap after dinner, but when he wakes he holds up his head and asks, "What's the news?" as if the rest of mankind had stood his sentinels. Some give directions to be waked every half-hour, doubtless for no other purpose; and then, to pay for it, they tell what they have dreamed. After a night's sleep the news is as indispensable as the breakfast. "Pray tell me anything new that has happened to a man anywhere on this globe" — and he reads it over his coffee and rolls, that a man has had his eyes gouged out this morning on the Wachito River; never dreaming the while that he lives in the dark unfathomed mammoth cave of this world, and has but the rudiment of an eye himself.

For my part, I could easily do without the post-office. I think that there are very few important communications made through it. To speak critically, I never received more than one or two letters in my life — I wrote this some years ago — that were worth the postage. The penny-post is, commonly, an institution through which you seriously offer a man that penny for his thoughts which is so often safely offered in jest. And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter — we never need read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications? To a philosopher all news, as it is called, is gossip, and they who edit and read it are old women over their tea. Yet not a few are greedy after this gossip. There was such a rush, as I hear, the other day at one of the offices to learn the foreign news by the last arrival, that several large squares of plate glass belonging to the establishment were broken by the pressure — news which I seriously think a ready wit might write a twelve-month, or twelve years, beforehand with sufficient accuracy. As for Spain, for instance, if you know how to throw in Don Carlos and the Infanta, and Don Pedro and Seville and Granada, from time to time in the right proportions — they may have changed the names a little since I saw the papers — and serve up a bull-fight when other entertainments fail, it will be true to the letter, and give us as good an idea of the exact state or ruin of things in Spain as the most succinct and lucid reports under this head in the newspapers: and as for England, almost the last significant scrap of news from that quarter was the revolution of 1649; and if you have learned the history of her crops for an average year, you never need attend to that thing again, unless your speculations are of a merely pecuniary character. If one may judge who rarely looks into the newspapers, nothing new does ever happen in foreign parts, a French revolution not excepted.

Thursday, October 11, 2007

More on THE BRIDGE OF SIGHS

You might not have been able to tell from my previous post of October 3rd that I had not yet finished Russo's new novel. But, alas, it doesn't matter because, although there were plenty of surprises, the book delivered in every way.

This novel is remarkably conceived and executed. Many times I felt that the author was going out on a tangential limb (and taking readers with him), one which we would all regret scaling. But, invariably, each limb would weave effortlessly into a web of other branches laid out previously with either reckless abandon or great faith, quite possibly both.

The main character of this transcendent novel, Lucy Lynch is, like his father, a terminal optimist and a believer in the idea that what you see in life is pretty much what you get. Despite his mother Tessa's continuing attempts to teach them both that one cannot always trust people, that life is full of nasty surprises, that a healthy cynicism is necessary to survival and that the depressed little upstate town of Thomaston, New York is no place to thrive or get a sense of life's possibilities, the two go about their own lives contentedly and creating a kind of oasis for their friends and family.

The oasis comes in the form of "Ikey Lubins" a corner market that Lucy's dad, Lou, buys in a moment of what most people, including Tessa, would call an act of stupidity. Tessa declares that she will never step foot inside the store and, for a long time, she doesn't. But, inevitably, Tessa's intelligence and common sense are necessary to the store's survival.

A wonderful book. I recommend it!

Thursday, October 4, 2007

Power Concedes Nothing

"Those who profess to favor freedom and yet deprecate agitation
are men who want crops without plowing up the ground.
They want rain without thunder and lightning.
They want the ocean without the awful roar of its waters.
This struggle may be a moral one; or it may be a physical one;
or it may be both moral and physical; but it must be a struggle.
Power concedes nothing without demand.
It never has, and it never will."


-- Frederick Douglass

Wednesday, October 3, 2007

THE BRIDGE OF SIGHS

I have become a fan of Richard Russo's writing, to the point of cornering him at a book festival here in Ann Arbor and demanding to know when his next book would be published. I had devoured all of his previous works.

Finally released in September, his newest book, The Bridge of Sighs, is both a natural continuation of his brilliant examination of smalltown American life and in marked contrast to his previous efforts; the contrast lying in a kind of sea change in his exploration of family life. In virtually all of his previous works the protaganist is haunted or hounded by a father who is the antithesis of the loving and/ or ineffectual figure of American myth and television. Russo's fathers are, typically, rascals, drunkards or bullies, sometimes embarassing and often frightening, even in death. The parents are, inevitably, divorced, estranged or locked in some tragic relationship from which there seems to be no escape.

Typical, also, is the almost exclusive focus on the father/son relationship, stained and traumatized as it is by that of the parents. And, while those dark themes are ever-present in this new novel, Russo seems to have miraculously stumbled onto an opposite set of circumstances where a son loves and adores his father, where the feelings are mutual, where the reality of the apple not falling far from the tree is not quite as bitter as it is sweet. And, to Russo's great credit, his gift for creating characters, relationships and situations that ring true and move the reader are as evident in this new, almost idyllic world, as they are in his well catalogued explorations of loneliness and tragedy.

I say "almost idyllic" because, in fact, there is plenty of pain, darkness, fear and violence to counter any sense of romanticized family life. Again, to his credit, Russo does not shy away from the realities of racism, violence, poverty and classism in American life. Wheras, previously, Russo masterfully wove humor and irony into his tales of abject loneliness, he now brings in the most painful of realities as counter-point to this uplifting story of Lou C. (Lucy) Lynch and his love affair with his own,imperfect life.

More to come on The Bridge of Sighs,...!